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Start killing your darlings
One of the rules in photography, when preparing your material, during the selection phase is not to be afraid to kill your darlings. Darlings being all the photographs that you love, and probably only you understand.
In a professional setting, personal preference does not matter. [1]
What matters is the story you want to tell and how you tell it.
I must say, it’s a bloodbath. One of the most painful, soul-crashing experiences I’ve lived through… Well, maybe not that bad, but you get my drift.
A common practice is to do it with an editor or a close friend photographer whom you can trust. One that will be ruthless while, at the same time, giving a fresh look and some good argumentation. Supporting you in telling your story, not theirs.
Another option is to sleep with it. Print your photographs and lay them on the table in a sequence that feels right to you. Leave them for a few hours or days, then return to do the edits. Both of those techniques can, and often are, combined.
The goal is to have a coherent story that tells what you want to convey. Something that has rhythm and leaves a mark on the viewer.
Now, think where you get stuck and stand by ideas, beliefs, experiments, features or statements that may be your darlings but don’t make sense…
